#FINAL CUT PRO 10 SOFTWARE#
#FINAL CUT PRO 10 OFFLINE#
#FINAL CUT PRO 10 PROFESSIONAL#
#FINAL CUT PRO 10 SERIES#
#FINAL CUT PRO 10 MAC#

The 'insert' edit slots a clip into the sequence at the in point or playhead's position, keeping the rest of the video intact, but moving it all aside so that the new clip fits. The default is the 'overwrite' edit, which overwrites at an in point or the space occupied after the playhead with the incoming clip. The edit overlay has seven drop zones, into which clips can be dragged in order to perform different edits. To add clips to the Timeline, besides dragging them there, it is possible to drag clips from the Browser or Viewer onto the Canvas, whereupon the so-called 'edit overlay' appears. The canvas outputs the contents of the Timeline.

The browser has an 'effects' tab in which video transitions and filters can be browsed and dragged onto or between clips.

#FINAL CUT PRO 10 OFFLINE#

If multiple clips are offline at the same time, Final Cut can reconnect all the offline media clips that are in the relative directory path as the first offline media clips that is reconnected. Final Cut Pro can search for the media itself, or the user can do this manually. This results in a 'media offline' situation, and the media must be 'reconnected'. Since they are only references to clips that are on the media drive of the computer, moving or deleting a source file on the media hard drive destroys the link between the entry in the Browser and the actual media. It is an entirely virtual space in which references to clips (aliases) are placed for easy access, and arranged in folders called 'bins'. There is also a small Toolbox window and two audio-level indicators for the left and right audio channels.īoth the Viewer and Canvas have a shuttle interface (for variable-speed scanning, forwards or backwards through a clip) and a jogging interface for frame-by-frame advancing.Īs in most digital non-linear editing applications, the Browser is not an interface to the computer's file-system. The Timeline, where media are assembled into a sequence, replicates the physically edited film or master tape of earlier systems. The Canvas replicates the 'program' monitor in such systems, where the edited material is viewed. The Viewer, where individual media files can be previewed and trimmed, replicates the source monitor of older tape-based systems. The browser, where source media files (or clips) are listed, replicates the editor's traditional film 'bins' or stacks of videotapes. 7.0.3 and earlier) Final Cut (Pro and Express) interface was designed around non-computerized editing workflows, with four main windows that replicate tried-and-trusted methods of organising, viewing and editing physical tape or film media. It also has multiple color correction tools including color wheels, sliders and curves, video scopes and a selection of generators, such as slugs, test cards, and noise. It comes with a range of video transitions and a range of video and audio filters such as keying tools, mattes and vocal de-poppers and de-essers. It supports a number of simultaneously composited video tracks (limited mainly by video form capability) unlimited audio tracks multi-camera editing for combining video from multiple camera sources 360º video editing support as well as the standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions.

5 Major films edited with Final Cut Proįinal Cut Pro provides non-linear, non-destructive editing of any QuickTime-compatible video format including DV, HDV, P2 MXF (DVCProHD), XDCAM (via plug-in), 2K, 4K, 5K, and 8K film formats and can import projects directly from iMovie for iOS and iPadOS.

A published survey in 2008 by the American Cinema Editors Guild placed their users at 21% Final Cut Pro (and growing from previous surveys of this group), while all others were on an Avid system of some kind.

#FINAL CUT PRO 10 PROFESSIONAL#

According to a 2007 SCRI study, Final Cut Pro made up 49% of the United States professional editing market, with Avid at 22%. It has also made inroads with film and television editors who have traditionally used Avid Technology's Media Composer. Since the early 2000s, Final Cut Pro has developed a large and expanding user base, mainly video hobbyists and independent filmmakers. The fully rewritten Final Cut Pro X was introduced by Apple in 2011, with the last version of the legacy Final Cut Pro being version 7.0.3.

#FINAL CUT PRO 10 SOFTWARE#

The software allows users to log and transfer video onto a hard drive (internal or external), where it can be edited, processed, and output to a wide variety of formats.

#FINAL CUT PRO 10 MAC#

The most recent version, Final Cut Pro 10.6.3, runs on Mac computers powered by macOS Big Sur 11.5.1 or later.

#FINAL CUT PRO 10 SERIES#

Final Cut Pro is a series of non-linear video editing software programs first developed by Macromedia Inc.

Final cut pro 10